Happy Fluffy Anna



Brand / weave:
HappyFluffy / handwoven

100% cotton

370cm long (plus 6cm fringes), 69.5cm wide, approx. 226gsm

Key words:
Thin, airy, mouldable, vibrant



You may recall that I recently tested another of HappyFluffy’s wraps, Diamond Coal. Proving that HappyFluffy can boast variety in its wrap offerings, Anna is substantially different to Coal – always a nice experience!



Anna is a handwoven, with a very pretty weave – pleasantly detailed and intricate. The weave pattern provides nice visual texture and is a good counterpoint to the simple stripe colour pattern. The striking black fringing adds extra elegance and I found myself opting for carries to show this off! Anna’s colours are perfect for this time of year – a rich plum and royal blue, with the black warp adding extra tonal depth. It’s a strong, beautifully vibrant set of colours.




By contrast, the wrapping qualities are very gentle, well suited to newborns and smaller babies. Anna is nicely soft, moderately thin, and mouldable. The weave is very airy, something which I think is a real benefit when wrapping newborns who can overheat so easily. It’s got a fair amount of stretch (although I didn’t notice much bounce). Despite the textured look of the weave, Anna is actually pretty smooth and has a lot of glide.




The drawbacks? Well, Anna is definitely more of a baby than a toddler wrap. I could get away with my young toddler’s weight in multi-layer carries, but it wouldn’t be my first choice, and in a few months more I suspect it might feel a little diggy. The glide translated into slipperiness at times for me, and I found this also meant Anna was also somewhat pull prone (I tended to be cautious wrapping with it outside).




But not every wrap is going to walk that delicate line which makes them suitable for toddlers and babies alike – and Anna is a great wrap for small babies. My lovely model adored using this wrap with her tiny little one, finding it soft, comfortable and easy to use. If you’re in the market for a beautiful, soft squish wrap, Anna is worth considering!


Happy Fluffy Diamond Coal



Brand / weave:
Happy Fluffy / Diamond

100% linen

542cm long, 73.5cm wide, 289gsm

Key words:
Glide / slippery, supportive, firm, cool



Exotic blends are pretty commonplace in the babywearing world these days. Baby camel hair, lyocell, banana viscose – where these once would have drawn comment, these fibres are no longer surprising.

However, the blend of this Happy Fluffy tester is still  unusual enough to be intriguing – 100% linen. In a marketplace dominated by cotton blends, all-linen wraps are still few and far between. I had no idea what to expect from Diamond Coal!




I enjoyed Coal’s aesthetic. The weave is simple but elegant. From afar, the pattern appears to be large diamonds, but up close the diamonds contain detailing looking rather like fletching on an arrow. It’s appealing and proof that a weave doesn’t have to be busy or complex to be attractive.



The colours are similarly simple – dark anthracite on one face, and a light silvery grey on the other. Colours like this are always pleasantly easy to wear (no need to consider whether they’ll clash with your outfit). However, Coal’s biggest aesthetic draw is in its wonderful sheen. Linen is well known for this, and Coal’s 100% blend really showcases linen’s signature sheen. The anthracite side has a subtle sheen, but the silvery side positively glows in the sunshine. It’s beautiful and I loved it. Also typical for linen are nubs and slubs – Coal has a fair few of these, adding some character to the straightforward weave.

It’s worth noting that Coal has blunt tapers. I had ample length with this size 7 tester, but if you find yourself regularly tying in the tails for a particular size, you might want to consider sizing up with Coal.



So what about the wrapping qualities? As you might expect for all linen, this is an incredibly supportive wrap. Front, back, hip – Coal carried the weight of my toddler with ease no matter which carry I tried. It’s also very solid, with little to no stretch/bounce. On the shoulders it feels very firm and flat with no cush. With decent tightening it’s comfortable, but I suspect that sloppier carries might feel a little unforgiving or diggy.



The weave is very low texture, and combined with the linen this makes Coal a wrap with a huge amount of glide. I enjoyed the ease of making second passes with Coal, but I did find that the glide had a tendency to tip over into slipperiness. I found precise wrap jobs and tight knots to be very important for a comfortable carry – any tiny bit of slack quickly worked its way through the wrap job.



Coal is a brilliant wrap for warm weather, thanks to both weave and fibre choices. The weave is fairly airy, encouraging a little airflow (and in warm weather, every little helps!). The linen is cool to the touch and seems to remain that way when wrapped, something which is truly unusual.



Coal came to me well broken in and beautifully soft. I love the softness of broken in linen – it’s not fuzzy or smooshy, as cotton can be, but supple and silky. Coal also had truly beautiful drape and movement (it was so lovely I found myself regularly playing with the tails), making it feel elegant.



Coal is a great wrap. With fairly specific wrapping qualities, it won’t be to everyone’s taste, but those that like firm, supportive wraps with glide will really enjoy it. Sporting both a lack of bulk and superb support, this is a wrap which I have no hesitation in recommending for both newborns and toddlers.


Wrapping Qualities Explained


Last weekend I had the privilege of helping to run a workshop with Tina Hoffman at at The Wrap Show. Together, we explored the language the babywearing community commonly uses to describe wrapping qualities, defining terms and discussing what they really mean.


Handling a variety of wraps which exemplified the different qualities was something the workshop attendees found very helpful. I’d love to offer that to everyone reading this post, but sadly, we can’t feel wraps through the internet…! So instead, here’s my best take on terms commonly used to describe wrapping qualities. I hope it’s helpful. If you have questions, or comments, please do let me know – the discussion during the workshop was so interesting and engaging. As a community, I feel it benefits both seasoned and new babywearers to think about the language we use to help us understand the wraps we use.


Tina also shared some really interesting insights into wrap fibres and fibre care, and how this can also impact on wrapping qualities – but I won’t attempt to summarise that here, as her expertise far outstrips mine!


Opposite of thin

Mainly used to describe the in-hand feel of a wrap. Feels substantial and heavyweight when holding it. Will produce a large knot. Often (but not always) has a high gsm.

Wrap(s) which exemplify this: Didymos November’s Mist, Natibaby Indigo Indivisibility Cloak


Opposite of thick

Mainly used to describe the in-hand feel of a wrap. Feels lightweight, sometimes even delicate when holding it. Will produce a small knot. Often (but not always) has a low gsm.

Wrap(s) which exemplify this: Didymos Cashmere Silk Ellipsen, Oscha Paradise Erraid, Didymos Kupfer Graphit Prima


Opposite of dense

Loose, open weave which allows air to move easily through it. When held up to a light source, the openness of an airy weave is particularly obvious. Often (but not always) a thinner wrap, lightweight in hand.

Other words often used: breathable, cool

Wrap(s) which exemplify this: Didymos Ada Ocean, Didymos Acqua Waves


Opposite of airy

A close, tight weave. Dense wraps tend to feel warmer when wearing.

Wrap(s) which exemplify this: Didymos Carmin Fische, Natibaby Indigo Indivisibility Cloak


Opposite of textured

This typically describes the in-hand feel and look of a wrap. When you run your hand along a smooth wrap, you don’t notice much variation in texture. Smooth wraps even sometimes feel silky in hand. A smooth wrap is often smooth due to its weave, but can also be smooth because of the fibres used. Certain types of silk are very smooth, as is bamboo and tencel.

Wrap(s) which exemplify this: Tinge Garden Ivy, Didymos Natural Silk Nino (mulberry), Didymos Natural Silk Millefiori, Didymos Agave


Opposite of smooth

This typically describes the in-hand feel and look of a wrap. When you run your hand along a textured wrap, it will feel bumpy. This is often because the weave has large variations in its thickness, as part of the pattern, but can also be because of the type of fibres used. A wrap which has not yet been broken in is also more likely to feel textured (and this may change as the wrap is broken in).

Wrap(s) which exemplify this: Bebe Sachi Khadi, Didymos November’s Mist, Woven Wings Spearmint Tea Lace, Firespiral Barnacle Aqua Seafoam


Opposite of glide

This is a quality experienced when wrapping, best described as resistance when tightening. It is particularly noticeable when the wrap is moving across itself (e.g. in the second pass of a Double Hammock). Grippy wraps can be harder to knot. High texture wraps are often grippy.

Other words often used: velcro-like

Wrap(s) which exemplify this: Didymos November’s Mist, Bebe Sachi Khadi


Opposite of grip

This is a quality experienced when wrapping, best described as low resistance/friction when tightening. As with grip, it is particularly noticeable when the wrap is moving across itself. Smooth, low-texture wraps often have good glide.

Other words often used: smooth, slippery

Wrap(s) which exemplify this: Didymos Natural Silk Nino (mulberry), Didymos Agave, Didymos Natural Silk Millefiori

(Slippery: so much glide that passes do not hold easily in place, and very firm knots are required to prevent the wrap from moving and slackening. Often a slippery wrap will not hold a slipknot well [or even at all].)

Opposite of solid

Stretch is the elasticity of a wrap – how it stretches out as you are pulling to tighten it. This quality can often be noticed from the in-hand feel of a wrap, but is most experienced whilst wrapping.

Other words often used: elasticity

Wrap(s) which exemplify this: Didymos Liscas


Opposite of solid

Bounce is related to stretch. They key difference is that when stretched, a bouncy wrap will ‘recover’ or spring back (to varying degrees). This is often most noticed once you have completed your wrap job and tied off. A bouncy wrap will move with you, and allow your child to move up and down a little with your movement (even if you have tightened very well). It can feel a little like the wrap is hugging you, or like shock absorbers.

Other words often used: movement, springiness, stretch, elasticity

Wrap(s) which exemplify this: Didymos Flamingo Lisca, Didymos Light Blue Wool Prima


Opposite of bounce and stretch

A solid wrap does not have much bounce/stretch. When wearing, it feels firm and often sturdy. A tight wrap job will hold your child very closely to you, almost making it feel as though they are glued to you when you move.

Wrap(s) which exemplify this: Didymos Carmin Fische, Didymos Agave


A mouldable wrap holds closely to your own and your baby’s bodies, following the shapes and curves. It is supple, malleable and has a fluid drape. Broken in wraps are more like to be mouldable (and a wrap which is not initially mouldable may become so after breaking in).

Wrap(s) which exemplify this: Didymos original Ada, Woven Wings Blue Sapphire Geo, Didymos Natural Silk Nino, Didymos Lisca Minos


Cush is a particularly difficult term to define – it’s used widely, often with slightly different meanings depending on who is using it. It’s worth bearing this in mind when you see it used. Cush is commonly used to describe the feeling of a wrap on your shoulders – a cushy wrap will feel a little cushioned, or spongey. It will be comfortable, and will not feel flat/hard. It will not dig into your shoulders.

Wrap(s) which exemplify this: Didymos Flamingo Lisca